More Unanswered Questions in LOST

31. How can Jack just suddenly be told, "You don't have a son"? What happens to Jack's son from his own POV from that point on?

32. What did MIB mean by "You're too late" just before he dies?

33. Was it just a coincidence that Locke's words "It worked" echo that of Juliet's upon shunting everyone to the sideways world? Apparently not, since Juliet herself says it again in the finale.


34. What happened to the once-major subplot about the Hanso Foundation?

35. How necessary is the water-drinking ritual to anoint/appoint someone the island's protector?

36. Why was the "Magic Box" that produced Anthony Cooper never explained?


37. Ben says he has "some things I need to work out" at the end of the series. What are they?

38. How does the Sonic Fence keep out the smoke monster?

39. How was Sayid resurrected from the dead at The Temple? And why?


40. Who built the Watchtower/lighthouse, and how does it work?

41. Why did Kate change clothes at the Lamp Post church in the finale?


42. Why did Kelvin Inman draw the blast door map?

43. Why did Claire leave baby Aaron behind?

44. Why did Jin choose to die with Sun and leave their child fatherless?

45. What the heck was Ben's breakfast on the beach with Kate all about?


46. What was the significance of Jacob and the red herring?

47. What was the significance of Jacob reading "Everything That Rises Must Converge"?

48. Why does the statue, said to be Tawaret, not look as much like Tawaret as it does Sobek?


49. Will the whispering ghosts be stuck on the island forever? Is MIB one of them now?

50. Why is Hydra Island seemingly sometimes visible and sometimes not?


51. If Ben was originally working for Jacob, why did Jacob allow him to do all the reprehensible things he did?

52. Why did being a parent exclude Kate from being a candidate but not others like Sun and Jin?

53. If Ben was working for Jacob, shouldn't he have known that Oceanic 815 would break up over the island, and not been surprised about it?


54. Since part of Jacob's entire opposition to his brother was based in the conviction that there was nothing outside of the island, at what point did he realize differently? And why did that not change the way he treated his brother?

55. What's the story behind Michael Abaddon?

56. Why did one of Hurley's fellow mental patients start spouting "the numbers"?

57. How did Jacob get off the island to stalk, manipulate, and touch all the candidates?

Unanswered Questions in LOST

These questions may in fact be answered, but may have gone over my head or gotten lost in the shuffle. Feel free to refresh my memory.

1. What happened to Mr. Eko? Why did his spirit not reappear to Hurley or anyone else?

2. What will Richard Alpert do when he gets to America? Since he's originally from 1867, how is it that he has an legit legal identity in present time? (And we know that he does, because he appeared in modern-day America to interact with Juliet representing "Mittelos Bioscience", and to young John Locke to give him some sort of other-life-memory aptitude test.)


3. Will the truth come out about the Oceanic 815 wreckage on the ocean floor being faked?

4. How did Hurley and Ben get back to America?


5. Since Hurley left with everyone else inside the Lamp Post church, who's guarding the island now? Surely not Ben, because Hurley acted as if he had expected Ben to join them.

6. What happened to the whole subplot about Jack and the tattoo he received from the Asian prostitute?

7. What cured Locke's paralysis in the pilot episode, and why?

8. Why does Smoke Monster/Fake Locke/Man In Black keep saying Locke-like things, like "don't tell me what I can't do", even after he no longer needs to pass himself off as Locke?


9. What was so special about Walt, and why did the Others want him?

10. Why do Locke and Shannon see apparitions of Walt? He wasn't dead and thus could not have been a ghost nor a smoke-monster impersonation.

11. What was the significance of the real Henry Gale?

12. How does Mr. Friendly manage to go back and forth from the island to America?

13. Why was Smoke Monster/Fake Locke/Man In Black carving a staff similar to Mr. Eko's?


14. Why did Widmore have a huge painting of Jacob's scale with black and white rocks hanging in his office?

15. Whatever became of Faraday making a note to himself to remember that Desmond was his "constant"?

16. How and why is Eloise able to move in and out of different time-tracks and realities to keep tabs on Desmond?

17. Was Jacob responsible for Hurley's years of torment over the synchronicities about "the numbers" and his belief that they represented a curse?


18. Why does the show seem to state that, despite early appearances, neither Jacob nor his brother are particularly "good guys", despite having ostensibly noble motives? (Jacob is wants to save the island, but ruins a lot of lives in the process, and MIB simply wants to cease being held prisoner on the island, but ruins a lot of lives in the process of trying to get off it)

19. How did Eloise come to oversee the Lamp Post church, and why wasn't she present when the cast members congregated there in the finale?

20. Does sideways-world Widmore already know what will happen by sending Desmond to go talk to Eloise in person about her party?


21. Who was the "clever fellow" Eloise makes an oblique reference to, that installed the pendulum at the Lamp Post that allows tracking of the Island?

22. Who was still drop-shipping Dharma supplies to the Island, and how?

23. Why Tawaret?

24. Why has so much of the backstory of the Dharma Initiative and the Hanso Foundation been left unexplained?


25. How much time elapsed between Hurley and Ben talking on the Island about Hurley being the new No.1, and their subsequent conversation outside the lamp post?

26. When Christian Shephard appeared to Locke at the frozen wheel, was it really Christian, or MIB impersonating him?

27. Why was MIB's name never given?

28. Since Jacob said that the Island was literally like a cork that was holding back forces of evil beneath it, does that mean that the light energy uncorked from the cave is inherently evil? Or does it simply indicate further that Jacob, despite his powers, is actually wrong about many things?


29. Why was the whole subplot about Dogen abandoned? What power did he possess that kept MIB out of the Temple?

30. If the apparitions of Yemi were MIB impersonating him, how then to explain the times that Yemi came to Eko and Locke in their dreams?

Mandrake the Magician

One of the best comic strips to straddle the style boundaries and timeline between Steampunk and Dieselpunk is Mandrake the Magician, which began June 11, 1934 and still runs to this very day.

Depending on how you define the term, Mandrake was the first superhero comic, arriving four years prior to Superman. He certainly has mental super-powers, and he wears a costume with a cape. (The same could be said for The Shadow, who debuted in 1930, but he was a radio serial character first, then a pulp-fiction hero, and not a comic strip until 1940.)


If you're not familiar with Mandrake, here's the Jeff's Notes version:

A man in a tuxedo and top hat runs around fighting crime and solving mysteries with his girlfriend Narda (a Princess from Cockaigne) and his African muscleman Lothar. Lothar, probably the first black crimefighting superhero in comics, was a Prince of "The Seven Nations", a federation of tribes. Mandrake's father Theron is the headmaster of the Collegium Magikos (College of Magic) in a remote Shambala-like kingdom hidden deep in the Himalayan mountains. Mandrake lives in a stately home called Xanadu. His enemies include The Cobra (whose face was scarred and disfigured in battle with Mandrake), The Deleter (an extraterrestrial hit man), and The Clay Camel (who leaves a small camel made of clay at each of his crime scenes.)

Professor X's Wheelchair, Steampunk Style

Just rambled across this here YouTube video of a Steampunked-up antique wheelchair by Smeeon, with all sorts of fascinating bells n' whistles - most notably, a series of tubes containing vodka-cranberry martini kept constantly filtered thru an icepack and connected to a dispenser on the side.

Seriously.

Now that's my kind of ride. In the future when no one walks anymore and we all lose use of our limbs and scoot around in machines operating computers hard-wired to our brains - like, say, in about six years - this is what I want my transport module to be.


See more of this mighty throne on Smeeon's Flickr.

The Road to Shambala

Shambala (or Shambhala) is a mythical land that, depending on one's interpretation:

A. Literally existed in ancient Tibet

B. Literally exists on another plane of existence that can only be reached by humans with sufficient spiritual advancement

C. Metaphorically exists in one's mind and heart.

Although commonly associated with Tibetan Buddhism, the concept of Shambala predates it, having been mentioned in prior texts of the ancient Zhangzhung culture and Bön religion. In Sanskrit, the word literally means "self powered" or "self determined".

In 1791, George Washington, Andrew Ellicott, and Pierre L'Enfant set about designing the new capital city of the United States, which would ultimately become Washington, DC. Elizabeth Clare Prophet, cofounder of the New Age organization Summit Lighthouse claimed that George Washington and the others were influenced by higher-dimensional beings to model their design plan for the city layout of Washington, DC after that of Shambala. (But since it's well documented that Washington inserted Masonic symbolism into that design plan, wouldn't that mean that Shambala is therefore a Masonic city?)

The concept of Shambala was seized upon in the 19th century by Theosophists like H.P. Blavatsky and Alice A. Bailey in the course of their controversial teachings. In two expeditions in 1926 and 1928, Soviet secret agent Yakov Blumkin attempted to discover Shambhala's physical location but (reportedly) failed. And then the Nazis sent three expeditions to the mountains of Tibet - first in 1930, and then in 1934-35, and then again in 1938-39. In each, the search for Shambala was a significant part of their mission.

During the same time period as the Nazi expeditions, rumors of the cryptozoological Yeti in this exact same region were also coming to a peak (no pun intended). Though many believe the Yeti to be an apelike humanoid, others maintain it's actually a Tibetan Blue Bear. If true, however, this is makes it no less fascinating, because the Tibetan Blue Bear is said by some to possess a much higher intelligence than the average bear. Perhaps this is why the animal is so secretive that it's considered one of the most elusive creatures on Earth today.

In 1957, a book entitled From the Subterranean World to the Sky: Flying Saucers was published by O.C. Hugenin, who suggested that the real Shambhala was not on a Tibetan mountain top, but rather underground as part of a "Hollow Earth" theory.

In 1959, a song called "Shombalor" was released by Sheriff and the Ravels. (The band was managed and produced by Hollywood actor Aki Aleong, whose screen credits include a 1964 episode of The Outer Limits called "The Expanding Human" with James Doohan, and also the original V television series.) The singer seems to be actually saying "Shambala" rather than "Shombalor" most of the time in the chorus. The lyrics are a staccato litany of gibberish phrases delivered at rapid-fire speed throughout the song, which contains references to Frankenstein, Albinos, Chickens, Nazis, and Bears. There's one significant exception: both the nonsense gibberish of the lyrics and the hypnotic loop of the melody stop abruptly to underscore one, and only one, lucid couplet:

Of all the animals in the world
I'd rather be a bear
Climb the highest mountain
Just because it's there.

In 1973, country-rock singer B.W. Stevenson had a minor hit (#66 on Billboard charts) with a very peculiar song called "Shambala". Click here to hear it.

Just one week later, the same song was released by rock band Three Dog Night and it became a smash hit, muscling out Stevenson's original version.

Three Dog Night's cover of the song was playing on an 8-track tape in the Dharma Initiative Volkswagen bus that Hurley and Charlie jumpstart in a significant moment on the ABC TV series LOST. Watch it here.

"Victory or Death", as Charlie says in that video clip, indeed. "Victory or Death" was George Washington's rallying cry at the Battle of Trenton, and also the password code among his men at the crossing of the Delaware River. Washington borrowed the slogan from the Scots, and years later it would in turn be borrowed by Adolf Hitler.

The Thistle Killer

Further forwarding a Hulu that was forwarded by Tome Wilson on Dieselpunks: one of the great Ronald Howard installments of Sherlock Holmes. Devotees of the Johnny Depp Jack the Ripper film From Hell will doubtlessly find more than a few parallels with The Case of the Thistle Killer, originally broadcast on February 14, 1955.



Click here to watch!

I Get 1918's Papers Today

Anton LaVey, founder of the Church of Satan and an all-around swell guy, was vehemently opposed to the passage of time. He wrote a very compelling essay entitled "What's New?" in which he opined that most people actually die from newness:

"Contrary to the accepted premise of staying young by keeping up on things, newness is a devastating, death-dealing state. The only way you can get old is by exposure to the new. If there is no present to involuntarily match the past against, the past remains the present. And you remain in the past present, or, like a vampire, the way you were in your prime."

As he grew older, LaVey began to employ emissaries and liaisons to go forth into the outside world for him, to obtain supplies and handle business duties. Not because he was feeble or infirm - far from it, he was as robust and energetic as ever in his final years. Rather, at that advanced age, he had endured about as much modernity as he could stomach.

He listened solely to antiquated cylinders and 78s by artists like Rudy Vallée, and books and magazines from the 20s and 30s were his preferred reading material. "Keep up on the news," he wrote, "The news, that is, of the time frame you exist within. Keep periodicals on hand to reinforce what's happening in the world. This may entail acquiring a collection of vintage newspapers and magazines."

Even before I was familiar with LaVey and his philosophy, I was already attuning myself to the same principle. I've always studied pre-1966 materials as a monk would study illuminated manuscripts in a monastery, and I increasingly spend a significant chunk of my time dwelling on other segments of the time track than the one in which you are living now.


There once was a time, in the late 1980s and early 90s, where I tried hard to keep only pre-1966 coins in my pocket. At whatever job I worked, I painstakingly parsed out the older coins from the register and swapped them out for the unworthy modern ones. Older coins turned up with far greater frequency back then, but unfortunately, for some unknown reason, they are rarely circulating in common currency these days.

I posit a conspiracy to keep us from maintaining contact with the past via the morphogenic residue of old money, and quantum connectedness with the old dead people who once handled them. The way they keep messing with the appearance of paper money in recent years is further evidence that my theory may not be altogether off-base.


One of the few good things about the internet is that it makes old newspapers and periodicals available to a degenerate past-huffer like myself.

When people come up to me and say "hey, have you seen the latest picks from the Oprah book club?" I can top them by replying "No, but have you been following Sophronia Currier's splendid new serialized novella in the latest issue of Gleason's Pictorial Drawing-Room Companion?

When people tell me about some current political issue in the news today, I can respond "I'm more concerned about the Triangle Shirtwaist Factory Fire, have you heard about that?"

No, they say, when did that happen?

"1911", I reply.

The Glomar Response

The term "Glomar Response" in law - meaning a "neither confirm nor deny" response to Freedom of Information Act requests - comes from a ship called the Hughes Glomar Explorer, which was ostensibly owned by mysterious and eccentric billionaire Howard Hughes, but was actually a CIA project.

In 1972, Hughes was approached by the CIA to help covertly recover the sunken Soviet submarine K-129. The Soviet sub, allegedly containing nuclear missiles, had sunk near Hawaii four years earlier. Thus a special-purpose salvage vessel for "Project Azorian" (aka "Project Jennifer") was born, and Hughes' involvement provided the CIA with the plausible cover story of being a research vessel searching for undersea manganese nodules.

Wikipedia on the K-129:

After having successfully completed two 70-day ballistic-missile combat patrols in 1967, K-129 was tasked with her third patrol to commence 24 February 1968 with an expected completion date of 5 May 1968. Upon departure 24 February, K-129 reached deep water, conducted its test dive, returned to the surface to report by radio that all was well, and proceeded on patrol. No further communication was ever received from K-129, despite normal radio check-ins expected when the submarine crossed the 180th meridian, and when it arrived at its patrol area.

By mid-March, Soviet naval authorities at Kamchatka became concerned that K-129 had missed two consecutive radio check-ins. First, K-129 was instructed by normal fleet broadcast to break radio silence and contact headquarters; later and more urgent communications all went unanswered. By the third week of March, Soviet naval headquarters declared K-129 "missing", and organized a massive air, surface and sub-surface search and rescue effort into the North Pacific from Kamchatka and Vladivostok.

This highly unusual Soviet surge deployment into the Pacific was correctly analyzed by U.S. intelligence as probably in reaction to a submarine loss. U.S. SOSUS Naval Facilities in the North Pacific were alerted and requested to review recent acoustic records to identify any possible associated signal. Several SOSUS arrays recorded a possibly related event on March 8, 1968, and upon examination produced sufficient triangulation by lines-of-bearing to provide the U.S. Navy with a locus for the probable wreck site. One source characterized the acoustic signal as "an isolated, single sound of an explosion or implosion, 'a good-sized bang'."

Soviet search efforts, lacking the equivalent of the U.S. SOSUS system, proved unable to locate K-129, and eventually Soviet naval activity in the North Pacific returned to normal. K-129 was subsequently declared lost with all hands.

As the story goes, eager to recover the sub and gain Soviet military secrets, the CIA took the Glomar to the spot and attempted to dredge it up from the ocean floor. The official story says that only a third of the sub was retrieved, as its hull broke up during the effort. Other sources claim the entire sub was brought back intact, and that the "it broke" version was yet another cover story within a cover story, to further conceal our Government's possession of classified Soviet materials if the project were to be found out.

And in 1975, that's just what happened. The New York Times planned an expose on the Glomar, but held the story back when the Nixon administration privately urged them to do so, on the rationale that it could cause a dangerous international incident if the truth were known. The Los Angeles Times also got wind of the story, ignored Nixon's requests, and ran the story anyway. After the cat was out of the bag, the New York Times went ahead with their article also.

When journalists attempted to get more info via the Freedom of Information Act, the CIA refused to either confirm or deny the existence of such documents. This type of evasive reply has since come to be known as the "Glomar Response" or "Glomarization."

But does the coverup stop there?

For every odd event related to the CIA, espionage, and secrecy, there's always someone on the internet who wants to bring extraterrestrials into it. The Glomar case is no different, but there is some food for thought in the idea that the real purpose of Project Azorian was to recover an alien craft that crash-landed in the ocean.

If you're willing to wade waist-deep in that swamp, start here and here and also here. And check out Bob Lazar's site when it comes back online, which is supposed to be any second now. Lazar, famous for his claims of insider knowledge of Area 51, is regarded variously as a genius or a charlatan. As is the usually the case, the truth likely falls somewhere in between.

Lazar is quoted as having said that the aliens arrived in the vessel from the fourth planet of the second star of the binary stellar system Zeta Reticuli. He also claimed to have seen a total of nine different types of alien spacecraft, and viewed autopsies of alien corpses. Recovered crafts such as that allegedly obtained by the Glomar were supposedly taken to Area 51 to be studied and reverse-engineered. Others have claimed that some of that reverse engineering is done by Raytheon at Kentucky's Blue Grass Army Depot.

Pictures from Life's Other Side

"This doesn't matter. None of this matters. All that matters is that we felt it."


"There's always a choice, brother."


"I saw it. Just for a moment, I saw what it looked like."


"Hallucinations, seeing things that aren't there."


"You saw something, didn't you?"


"A certain unpredictability comes with the territory."


"He said this is quantum mechanics."


"Imagine something terrible is about to happen, something catastrophic, and the only way to stop it from happening is by releasing a huge amount of energy."


"It happened to you too, didn't it? You felt it."


"When do we start?"

The Little Colonel

One from our Unusual Kentucky blog:


All but forgotten now except to historians, classic film buffs, and a few other people in the know, is the Victorian-age meme of the "Little Colonel".

There's a theatre company in Pewee Valley (just outside Louisville) called the Little Colonel Players; perhaps you've seen their logo with an odd little character in a Napoleonic hat. But from whence did this concept originate?

Annie Fellows Johnston wrote a series of novels dealing with the aristocracy These were semi-biographical and based on actual local people and places. The stories were set in Lloydsborough Valley, which was actually a fictionalized version of Pewee Valley. Johnston, originally from Indiana, eventually made Pewee Valley her home, and she died there in 1931.


Among the books in the "Little Colonel" series: The Little Colonel in Arizona, The Little Colonel: Maid of Honor, The Little Colonel's Christmas Vacation, The Little Colonel's Hero, The Little Colonel's House Party, The Little Colonel's Holiday, The Little Colonel at Boarding School, Little Colonel's Knight Comes Riding, and The Little Colonel's Chum, Mary Ware. (From that last one, she spun off a popular series of "Mary Ware" books.) Other books in her decidedly dated oeuvre include Miss Santa Clause of the Pullman, The Rescue of the Princess Winsome, Georgina of the Rainbows, It was the Road to Jericho, Mildred's Inheritance, and Ole Mammy's Torment.

In 1935 a film adaptation was made, starring Shirley Temple and Lionel Barrymore. And after that, Johnston and her beloved characters seemed to vanish down the memory hole. Lists of popular Kentucky authors - even specifically lists of ones from the Victorian age - often omit Johnston and her "Little Colonel" books.


In the stories, the Little Colonel (a young girl), draws inspiration from "The Old Colonel" (a Southern Gentleman who had lost his arm in the Civil War):

"Along this street one summer morning, nearly thirty years ago, came stepping an old Confederate Colonel. Every one greeted him deferentially. He was always pointed out to new comers. Some people called attention to him because he had given his right arm to the lost cause, some because they thought he resembled Napoleon, and others because they had some amusing tale to tell of his eccentricities. He was always clad in white duck in the summer, and was wrapped in a picturesque military cape in the winter."

The Old Colonel was a thinly-veiled dramatization of one George Washington Weissinger, Jr., a well-known lawyer in Louisville and Middletown. He's buried in Cave Hill Cemetery, but visiting his grave is tricky. According to littlecolonel.com:

Cave Hill Cemetery (the most prestigious burial ground in the region) has records that the Old Colonel was buried on February 25, 1903, his wife two months later. A plot map shows the exact location of the graves. But there are no tombstones or grave markers. Why? We don't know. We also can find nothing about the death of Amelia Pearce Weissinger (born Amelia Neville Pearce), his wife, just before her interment beside him on April 30, 1903.

And David Domine, in his great book Haunts of Old Louisville, reports sightings of an elderly one-armed ghost in a Civil War uniform, fitting the Old Colonel's description perfectly.

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